Trying Things: A Handwritten Font That Balances Charm and Elegance
More Than Just a Pretty Script
When you first encounter a font like Trying Things, it’s easy to get caught up in its immediate visual appeal. It’s a handwritten font that manages a delicate balance: it feels personal and approachable, yet carries an undeniable sense of sophistication. This isn’t a casual, messy scrawl. Each letterform is crafted with intention, featuring elegant loops, subtle variations in stroke weight, and a rhythm that feels both natural and refined. It’s the kind of typeface that looks like it was penned by a skilled calligrapher with a steady hand and a keen eye for style. The overall personality is warm, inviting, and confident without being loud.
What makes Trying Things a particularly useful creative font is its versatility within that charming aesthetic. It doesn’t scream for attention with wild flourishes or overly complex connections. Instead, it offers a clean, legible baseline with tasteful swashes and alternate characters available for those who want to add a touch of flair. This makes it a premium font asset that can be adapted to suit a project’s specific tone, whether it’s understated elegance or joyful celebration.
Where Trying Things Truly Shines: Real-World Applications
Understanding a font’s personality is one thing; knowing where to deploy it effectively is where the real value lies. Trying Things excels in projects where a human touch, a sense of authenticity, or a touch of luxury is desired. It’s a standout choice for wedding invitations, where its elegance complements the formality of the event while the handwritten quality keeps it feeling intimate. Similarly, it’s perfect for thank you cards and personal correspondence, transforming a simple message into something heartfelt and memorable.
Beyond personal stationery, this script font has serious applications in brand identity and logo design. For boutique brands, artisanal products, cafes, florists, or any business wanting to project a handcrafted, high-quality image, Trying Things can form the cornerstone of a visual identity. It pairs beautifully with clean sans serif font or serif font families for body text, creating a font pairing that is both dynamic and professional. Use it for product packaging, menu headers, or social media graphics to instantly convey a brand’s unique character.
In editorial design and publishing, Trying Things works wonderfully for pull quotes, chapter titles, or section headers in magazines and blogs. It breaks up the monotony of standard body copy and draws the reader’s eye to key statements. For web design, it can be used strategically for hero section headlines or call-to-action buttons, adding personality without sacrificing overall site usability. The key is context and restraint; it’s a display font meant for headlines and accents, not for long paragraphs of text where a more neutral modern typography style would ensure readability.
The Practical Side: Using Trying Things Effectively
Adopting any new design asset requires practical consideration. First, evaluate if Trying Things is the right fit for your project’s voice. Ask yourself: Does the project need to feel personal? Is there a premium or celebratory aspect? Is the target audience likely to appreciate a handwritten aesthetic? If you’re designing for a law firm or a tech startup focused on data security, it’s probably not the right choice. For a wedding planner, a bakery, or a lifestyle blogger, it’s an excellent match.
Next, consider font pairing. Trying Things carries a lot of stylistic weight, so it needs a calm, stable partner. A geometric sans serif font like Montserrat or a classic serif font like Lora can provide excellent contrast, allowing the script to stand out without creating visual chaos. Test your pairings at various sizes to ensure the combination holds up.
One of the most valuable features of Trying Things is that it is PUA encoded. For the uninitiated, this means all the extra glyphs, swashes, and stylistic alternates are easily accessible through your design software’s character map. You don’t need to be a typography expert to use them. This feature allows for significant customization, letting you tweak letter connections or add decorative elements to make the text truly unique to your project. Always review the full character set when you license the font to understand the full range of possibilities.
Finally, a note on licensing. Trying Things is a commercial font. Always ensure you have the correct license for your intended use, whether it’s for a personal blog, a client’s logo, or a product for sale. Respecting the designer’s work ensures you can use the font with confidence and supports the creation of more high-quality typeface designs.
A Final Thought on Readability and Hierarchy
The most beautiful font is useless if your audience can’t read your message. With a handwritten font like Trying Things, pay close attention to size, spacing, and color contrast. Use it at a generous size for headlines where its details can be appreciated. Avoid setting it in all caps, as this can disrupt its natural flow and harm legibility. Ensure there is sufficient contrast between the text color and the background. By using Trying Things judiciously—typically for key headings, logos, or accent text—you create a strong visual hierarchy. It guides the viewer’s eye, establishes a mood, and makes your overall design more engaging and professional. It’s a tool for adding a layer of human connection and artistic flair, and when used thoughtfully, it delivers immense value.
